The Ajagurajah Movement is no stranger to mystique, and its founder, Bishop Kwabena Asiamah, continues to keep followers — and critics — intrigued.
In a recent service that has now gone viral online, the man affectionately known as Bishop Ajagurajah was captured performing a symbolic ritual involving water, robes, and an almost magnetic spiritual energy.
With a gold-coloured kettle in hand, the bishop poured water over himself in front of a captivated congregation.
Dressed in a long, white robe that quickly soaked through, he walked through the crowd as church members — visibly moved — reached out to touch the wet garment, some stretching with near desperation.
The moment felt charged, sacred even, though the specific meaning behind the act remains undisclosed.
Whether it was for cleansing, blessing, or spiritual transference, one thing is clear — those in attendance believed they were witnessing something powerful.
In typical Ajagurajah fashion, no formal explanation was given, but the energy in the room and the reactions online suggest that the movement’s unique blend of tradition and mystery continues to resonate with many — while leaving others with more questions than answers.
Ajagurajah, whose real name is Bishop Kwabena Boakye Asiamah, is a Ghanaian spiritual leader and founder of the Ajagurajah Movement — a religious group that blends elements of Old Testament practices with African traditional spirituality.
He is widely recognized for his unconventional teachings, his lavish appearance (often in white robes and sometimes with a staff), and his outspoken nature on spiritual matters, food taboos, and rituals.
The name Ajagurajah is said to mean “The Warrior Angel”, which he claims guides his ministry.
Ajagurajah has gained significant popularity — and controversy — on social media for his dramatic sermons, symbolic rituals (like cooking for congregants during services), and unfiltered takes on Christianity, spirituality, and cultural heritage.
He sees himself as a spiritual liberator, encouraging Ghanaians to reconnect with ancient, pre-colonial forms of worship that were more aligned with their roots.
